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THE BREAK ROOM—recommended location.

THE BREAK ROOM—recommended location.

We don’t have to, but it might be nice to open on a tight shot of the beginning of a game of 8-ball, as the cue ball breaks the rack of balls.

 CUT…to TANNER, on the FLAT-SCREEN…   TANNER: “Liberty Biberty.”

CUT…to TANNER, on the FLAT-SCREEN…

TANNER: “Liberty Biberty.”

 And then…the surprising image of BIBERTY, sitting atop the bar as the BARTENDER brings him over a GLASS of CHOCOLATE MILK. And it begins…

And then…the surprising image of BIBERTY, sitting atop the bar as the BARTENDER brings him over a GLASS of CHOCOLATE MILK. And it begins…

  BIBERTY: “That’s my name.”

BIBERTY: “That’s my name.”

  BARTENDER: “Your name’s Liberty Biberty?”

BARTENDER: “Your name’s Liberty Biberty?”

 BIBERTY turns and…   BIBERTY: “Indeed.”

BIBERTY turns and…

BIBERTY: “Indeed.”

 And then goes on to tell the BARTENDER—and us—why he’s here.

And then goes on to tell the BARTENDER—and us—why he’s here.

 And then, from off-camera, a loud…   Off-camera Voice: “Ha!”

And then, from off-camera, a loud…

Off-camera Voice: “Ha!”

 Oh my god…TANNER, playing pool.

Oh my god…TANNER, playing pool.

 And now TANNER, walking into a TWO-SHOT, so BIBERTY can ask him for his autograph.

And now TANNER, walking into a TWO-SHOT, so BIBERTY can ask him for his autograph.

7b.jpeg
 A frame for the Alt. opening, the one where we cut to an OLDER BAR PATRON who says…   BAR PATRON: “What line of work you in, pal?”

A frame for the Alt. opening, the one where we cut to an OLDER BAR PATRON who says…

BAR PATRON: “What line of work you in, pal?”

 CUT…to this frame, for BIBERTY to talk about the line of work he’s in.

CUT…to this frame, for BIBERTY to talk about the line of work he’s in.

THE BREAK ROOM—recommended location.

We don’t have to, but it might be nice to open on a tight shot of the beginning of a game of 8-ball, as the cue ball breaks the rack of balls.

CUT…to TANNER, on the FLAT-SCREEN…

TANNER: “Liberty Biberty.”

And then…the surprising image of BIBERTY, sitting atop the bar as the BARTENDER brings him over a GLASS of CHOCOLATE MILK. And it begins…

BIBERTY: “That’s my name.”

BARTENDER: “Your name’s Liberty Biberty?”

BIBERTY turns and…

BIBERTY: “Indeed.”

And then goes on to tell the BARTENDER—and us—why he’s here.

And then, from off-camera, a loud…

Off-camera Voice: “Ha!”

Oh my god…TANNER, playing pool.

And now TANNER, walking into a TWO-SHOT, so BIBERTY can ask him for his autograph.

A frame for the Alt. opening, the one where we cut to an OLDER BAR PATRON who says…

BAR PATRON: “What line of work you in, pal?”

CUT…to this frame, for BIBERTY to talk about the line of work he’s in.

THE BREAK ROOM—recommended location.
 CUT…to TANNER, on the FLAT-SCREEN…   TANNER: “Liberty Biberty.”
 And then…the surprising image of BIBERTY, sitting atop the bar as the BARTENDER brings him over a GLASS of CHOCOLATE MILK. And it begins…
  BIBERTY: “That’s my name.”
  BARTENDER: “Your name’s Liberty Biberty?”
 BIBERTY turns and…   BIBERTY: “Indeed.”
 And then goes on to tell the BARTENDER—and us—why he’s here.
 And then, from off-camera, a loud…   Off-camera Voice: “Ha!”
 Oh my god…TANNER, playing pool.
 And now TANNER, walking into a TWO-SHOT, so BIBERTY can ask him for his autograph.
7b.jpeg
 A frame for the Alt. opening, the one where we cut to an OLDER BAR PATRON who says…   BAR PATRON: “What line of work you in, pal?”
 CUT…to this frame, for BIBERTY to talk about the line of work he’s in.